Spring Blooms in the Fall

"Falling Blooms" 22 x 28 inches, oil on linen

Finished this painting last week. The original set-up took place outdoors in the powerful light of noon day sun during the spring. I loved the drama that I could achieve with the available light. Only problem was that the light changed over time and so I was forced to use my reference photos for the last layers of the painting. The painting was completed with many glazes. Though it would have been more convenient to paint it alla prima, I don't think I would have been able to achieve the detail that I wanted in so short a space of time. Had let it be for a while because I was finishing up some other paintings but was glad to finally get back to it. Was very meaningful to paint the tulips in their various poses.

I see the meaning of my painting in two ways... one way is to imagine the one tulip as a metaphor for standing firm while others fall away. Another way is to view the falling blooms as a commentary on the inevitability of life being fleeting, temporal. It really struck a somber note with me to find myself completing this painting days after my father's sister passing. Yet the one bloom left at the top was also a reminder to me of something I truly believe-- that life triumphantly continues even after death. With that thought in mind, I could console myself as I completed it. Really miss my dad who passed away 3 years earlier and could not help but think of my dear Aunt beside him, in a beautiful place where flowers never fade. 

" To every thing there is a season, and a time to every purpose under the heaven..." Ecclesiastes 3

My Show at FCCA

My first solo show at an art gallery is finally up at Fredericksburg Center for the Creative Arts. I am so excited about it! Took us almost 4 hours to hang 45 pieces of art!! My husband and daughter were such a big help along with the Members Gallery director! Here is a pic of one of the pieces hanging in the show that needed a bit of editing. Formerly I had painted it with a red sword but something didn't sit well with me! I wanted to convey that love is giving and also at times sacrificial but the sword is a bit too dramatic and I don't want to convey anything that may seem to be promoting violence, so I had to change it. The thing about oils is that you can paint over your mistakes. In life it is not that easy. That's why it's so important to do the right thing the first time around. However if we do get things wrong, we are still very able to make changes in life to better ourselves. Sometimes we just need time to examine our hearts and see where we can be better people. And God is there to nudge us in the right direction if we let him. Thanks for looking!

"For You" final version

"For You" first version

Sneak pic of some of the smaller works! :)

Things I learned from the Portrait Society of America

So I really enjoyed going to the PSOA conference this year. Was my first time attending and was blown over by the amount of people that attendend! Also didn't realize it was their 20th anniversary so was excited to be a part of it!

So I mentioned in older post that I would write a little of what I learned while there so....

Ok a hugely important thing to remember is to write down names immediately of people that I meet and/or get card from them (my networking skills need a bit of work). I tried to remember names and didn't write them down so now I can't look up the artist from Finland that showed me some awesome work from her portfolio or a finalist who had shared some exciting things about her life. I did get info from a few people though and glad that I did.

Technical tips and advice...
Had my portfolio reviewed by 3 different faculty artists and learned that I need to rely less on photos and more from live models to get more depth of realism. Need also to work on anatomy of hands.

One of the most important things I learned is the technique of strategically depicting areas of my painting that are sharply focused and areas that fall away into a more softer focus. This actually makes painting become more alive and real... having too much tight control can actually take away from the full affect. I originally thought that I just needed to loosen my control overall and go for a more painterly, loose style but one of the master artists that critiqued my work told me it's a matter of where you choose to sharpen focus and where you soften it that really is most important. Below is an example that I think demonstrates perfectly the advice he gave me. The example is a master painting by one of my favorite artists, John Singer Sargent. The painting is titled, "Lady Agnew of Locknaw". As you can see, I circled the areas that demonstrate the softening and sharpening of focus. This was done with expertise by Sargent who is one of the most celebrated portrait artists of all time. Will share more of what I learned in later post. Thanks for looking!

Portrait Society of America Conference: Fun + Learning = Inspiration!

I am very glad that I was able to attend the Portrait Society of America's 20th Anniversary Conference held in Reston VA, this year. It was my first time attending this conference and I learned soooooo much! Also met so many talented and friendly artists. Had wanted to attend for quite a while but was still not real sure of myself. I liked it so much, I hope to attend again when they come back to the area! Will post in the next few days about what I learned! Thx for looking!

Working, Working, Working!

Still Life w/ Daisies, 8 x10 inches, oil on linen

So I am getting a lot of practice in oil painting since I quit my job in 2015. Now I am working from home (babysitting) so I can steel away time when baby is napping to paint and in the evenings I set up a white light to paint my still life setups after sun goes down and studio is darker. I prefer to work during the day when I have most energy but I have to take what time I can. I am always wondering, praying and thinking about where this will ultimately take me. My still life art is mostly of common items that I try to inject with beauty (and meaning from time to time). And I also do portraits...I want  my art to evolve into something else...something more telling and conceptual but not sure yet what that will be. For now I am enjoying the rendering...the technical aspects of it and I so enjoy putting sparkle and highlights in what I depict! I am doing many small paintings because I have two shows in the summer and I really need many pieces to show. Above is a work in progress.